With the
2005 release of his first recording for BIS Records, Yevgeny Sudbin catapulted into the pages of the international music press. The disc was a Scarlatti recital that prompted reviewers worldwide to compare the then 24-year old pianist in the most flattering terms to Scarlatti experts such as Horowitz and Pletnev.
“Sudbin makes no apology for using the full tonal resources that a modern Steinway can offer in works composed for the harpsichord; playing the sonatas on a piano, he says, is effectively equivalent to making piano transcriptions of the originals, and the range of keyboard colour and pedal effects he conjures up for his selection is consistently dazzling.” --The Guardian, 30th March 2016 ****
ClassicsToday: Sound Quality 10 / Artistic Quality 10
"Certainly Sudbin characterizes every note, and his willingness to explore some delightful but relatively lesser-known works (K. 125 and K. 373, in G major/minor for example) can only be applauded. If this sequel isn't quite as enticing as Sudbin's original, then, it is different: more reflective, perhaps more mature in some ways. In any case, no one can accuse him of serving up more of the same, and BIS' engineering is uniformly outstanding. Recommended, then, especially for connoisseurs." --David Hurwitz, Classicstoday.com
Yevgeny Sudbin has been hailed by The Telegraph as 'potentially one of the greatest pianists of the 21st century'. In the midst of a 7-year and 14 album collaboration with BIS Records, all of Yevgeny's recordings have met with critical acclaim and are regularly featured as CD of the Month by BBC Music Magazine or Editor's Choice by Gramophone. His Scriabin recording was awarded CD of the Year by The Telegraph and received the MIDEM Classical Award for Best Solo Instrument Recording at Cannes. It was described by Gramophone as 'a disc in a million' while the International Record Review stated that Yevgeny's Rachmaninov recording 'confirms him as one of the most important pianistic talents of our time'.
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